DEVIANT AWARDS FEATURE 2In no specific order, these are favs from my DEVIANT AWARD Folder thatDEVIANT AWARDS FEATURE 2 by 33M
I post to different groups for consideration for features and monthly contests. I really enjoy meeting new Deviants and am blown away by alot of new members with the quality of their art and writing.
Please fav the article and visit these Deviants pages, I really appreciate all your support....
autumn rose by Ingelore :thumb189010885: :thumb189460147::thumb188905913:At first sight.. by addy-ack Trapped Water by evaPM :thumb189461817: :thumb185225112::thumb189202504:Sunset at Santorini by FaunamelitensisLinosa rough see colour by Faunamelitensis..primitive.. by db-imagerydecadence V by absurdityinflict:thumb189358235:Levitation by crilleb50..primitive.. by db-imageryA Moment in Heaven by MandelFishon irish roads by crhcambaz by eerriinncc:thumb189409675::thumb189409334::thumb189395465:Crystalice I by ToxikomaniFrozen Lungs by UnendingMasqueradePosing by hannajohnBlack and White by eyelashkissThe color of a tiny ending by MonsterBrandTomorrow will be gone by Aprillka:thumb
My artwork is borne of and intended to convey various aspects of the human experience, in simultaneously universal and individually subjective terms. Whether the medium is traditional or digital, still or in motion, whether the work is strictly visual or incorporates words, and whether the style is surreal, abstract or representational, my work strives to express inner experience with layers of meaning ranging from the perceptual through the emotional/cognitive to the spiritual. I work across a wide range of media which include traditional printmaking and artist books, motion graphics, video and animation, digital photo-montage, as well as sculpture, painting, collage, drawing, and mixed media. Each medium allows me to create work that either expresses entirely different concepts, or similar ideas but in extremely varied perspectives. |
"Vertipology," my most recent work, is a series of digital photomontage images which are each composed of dozens of photographs which I had meshed together, distorting perspectives, distances and details, hours, seasons, etc. No such landscapes exist. Those vistas are, rather, depictions of a subjective experience of those whereabouts.
In the artist’s book “Year of the Mad Bird” I alternated pages of free-verse with pages of intaglio & aquatint etchings, some with watercolor, using motifs such as a bird character as a metaphor for a soul, to express subjective abstractions of general concepts, such as “language,” “specimen,” “shadow,” “war,” “elevation,” etc.
These two examples describe what probably appears as wide variety in types of artwork I create, but I think they explain the essence of what all my work holds in common. My hope is that my work would resonate with a viewer regarding their own experience, which may be deeply personal, yet simultaneously universal in its essence. If it evokes a reassuring sense of strange familiarity, or familiar strangeness, in even just one of all viewers, then it has struck that chord.